I watched "Aida". I have to say that the series turned out great. Very high quality.
Yes, there will be suffocating idiots who will comment on the appearance of the actors, on some details, violent scenes, incompatibility of some things with the period. But this is art, this is creativity. Artistic assumptions can certainly be made here. Well, like, when you go to a ballet or an opera, the actors sing and dance, conveying events and emotions through dance and song. We really don't expect information to be transferred there. Well, Shakespeare wrote Romeo and Juliet in verse, in a poetic form. And an idiot, of course, would understand that - ha, people don't talk like that in real life! The director thinks people speak in poetry, what a f****** idiot!
But no, my dear, you are the only idiot here, and the director uses artistic language and images, which is a perfectly acceptable way of conveying information. So here it is. Yes, it is clear that the battles of "Tiap Liappa" in the discotheques did not look like they are shown in the movie. In reality everything was ugly, they flew in and knocked everyone out and there was no staged, there was no security question "Are we going in? "And there was no presentation on the DJ console, "Gentlemen, now we're going to f*** you. " And the dance floor didn't look like that, and the faces were crooked, and the props were held properly, and the violence wasn't cinematic. But would you really want to see it if you did it in hyperrealism? No, it will be a gray crime, it will be a gray movie. chronicle.
And in dramaturgy it is certainly possible to stage such dramatic moments, convey and emphasize emotions and information through scenes that could not exist in real life. Here is one of the gang leaders, a psychiatrist. It is clear that such a figure cannot exist in the Soviet Union. And of course, it's funny how he stands in the dragon pose and reads instructions to the main character, like a Japanese sensei. But it has nothing to do with realism. This is an artistic image familiar to all of us from childhood. And the director conveys this image in this familiar language.