What can a novel about the war add to the reader who lived it, memorized the sounds of its shells and its death scenes became part of his daily memory?
In "Do not return from the war" (Dar al-Farabi), the journalist Ugrit Dandesh confronts a former fighter with his past, after he lost the ability to restore his normal life and chose to live among the graves of the dead.
But the novel opens up a wider literary problem: is the condemnation of the war enough to create influential literature? What happens when characters become tools to communicate situations, and tragedies become predictable?
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Mustafa Khalifa Ugarit Dandesh: No one comes back from the Rabi war.