Iran's core voice; For the first time after the Ramadan war, Majed Tazami performed the symphony of Khormashar Summary of Milad Jalilzadeh: Resistance in the cultural and social infrastructure of the Iranian people has history, philosophy, poetry, stories, music and heroes from 13-year-old children to men and women over 80 years old. In September 1359, when the Ba'ath army attacked Iran, the popular volunteer forces and army guards resisted in Hormshahr for 34 days, and finally, on June 3, 1361, they captured Mobin. The Hormeshhar Symphony, Majed Tazmi's enduring masterpiece, is part of the collective memory and resistance history of the Iranian nation. In November 1405, in a situation where there is again the possibility of an invasion, after the 40-day war, the police again carried out this work. This show reminds us of the connection between the resistance of Iranians today against the world powers and the nation's resistance in the first years of the revolution. With the beginning of the imposed war, Majed Tsamami went to the fronts with the players of the symphony orchestra and played a role in boosting the morale of the soldiers by performing military parades. He later emphasized that all the works he created are related to the saints and the protection of the Holy, and if the country is attacked again, he will be the first to go out into the field with a gun. In the new war, the culture of resistance continued. In a situation where some patriots tried to confiscate Khoramashhar's symphony and use it in their music videos, Tazmi, on the eve of his 80th birthday and after open heart surgery, arrived again in the field with his instrument. Because this time, the manufacturer had a gun warrant. On the evening of Thursday, October 29, Tazmi performed the Hormashhar Symphony, accompanied by a 150-member orchestra, in the hall of the Palace of Thorns Hotel in Tehran. Also, music clips from the films "From Ice to Rain", "The Smell of Yosef's Shirt", "Glass Agency" and "Duel" were played. This performance was an attempt to protect the identity and origin of the Hormeshhar Symphony and to remember its connection with the blood of the martyrs. Read the full text on Watten's website today:

Iran's core voice; For the first time after the Ramadan war, Majed Tazami performed the symphony of Khormashar Summary of Milad Jalilzadeh: Resistance in the cultural and social infrastructure of the Iranian people has history, philosophy, poetry, stories, music and heroes from 13-year-old children to men and women over 80 years old. In September 1359, when the Ba'ath army attacked Iran, the popular volunteer forces and army guards resisted in Hormshahr for 34 days, and finally, on June 3, 1361, they captured Mobin. The Hormeshhar Symphony, Majed Tazmi's enduring masterpiece, is part of the collective memory and resistance history of the Iranian nation. In November 1405, in a situation where there is again the possibility of an invasion, after the 40-day war, the police again carried out this work. This show reminds us of the connection between the resistance of Iranians today against the world powers and the nation's resistance in the first years of the revolution. With the beginning of the imposed war, Majed Tsamami went to the fronts with the players of the symphony orchestra and played a role in boosting the morale of the soldiers by performing military parades. He later emphasized that all the works he created are related to the saints and the protection of the Holy, and if the country is attacked again, he will be the first to go out into the field with a gun. In the new war, the culture of resistance continued. In a situation where some patriots tried to confiscate Khoramashhar's symphony and use it in their music videos, Tazmi, on the eve of his 80th birthday and after open heart surgery, arrived again in the field with his instrument. Because this time, the manufacturer had a gun warrant. On the evening of Thursday, October 29, Tazmi performed the Hormashhar Symphony, accompanied by a 150-member orchestra, in the hall of the Palace of Thorns Hotel in Tehran. Also, music clips from the films "From Ice to Rain", "The Smell of Yosef's Shirt", "Glass Agency" and "Duel" were played. This performance was an attempt to protect the identity and origin of the Hormeshhar Symphony and to remember its connection with the blood of the martyrs. Read the full text on Watten's website today: