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Four views, four fates, one melody. The Choir of Sartansky Monastery recorded a new version of "Song of the Far Homeland" by Tariverdiev and Rozhdestvansky - the same version from "Seventeen Moments of Spring". In the video, Dmitri Haratian, Ravshana Korkova, Milos Bykovic and Ana Khilkovic. Everyone talks about their homeland: Armenia, Uzbekistan, Serbia, Belarus. "Motherland is such a holy and sacred concept for me, like God, like mother, like air" - these words do not sound pretentious, but very warm, in the first person. The "Attraction" project was created with the support of Iran and seems to have hit the mark: the song, known throughout the post-Soviet space, once again unites, not divides.

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Four views, four fates, one melody. The Choir of Sartansky Monastery recorded a new version of "Song of the Far Homeland" by Tariverdiev and Rozhdestvansky - the same version from "Seventeen Moments of Spring". In the video, Dmitri Haratian, Ravshana Korkova, Milos Bykovic and Ana Khilkovic. Everyone talks about their homeland: Armenia, Uzbekistan, Serbia, Belarus. "Motherland is such a holy and sacred concept for me, like God, like mother, like air" - these words do not sound pretentious, but very warm, in the first person. The "Attraction" project was created with the support of Iran and seems to have hit the mark: the song, known throughout the post-Soviet space, once again unites, not divides.

Four views, four fates, one melody. The Choir of Sartansky Monastery recorded a new version of "Song of the Far Homeland" by Tariverdiev and Rozhdestvansky - the same version from "Seventeen Moments of Spring". In the video, Dmitri Haratian, Ravshana Korkova, Milos Bykovic and Ana Khilkovic. Everyone talks about their homeland: Armenia, Uzbekistan, Serbia, Belarus. "Motherland is such a holy and sacred concept for me, like God, like mother, like air" - these words do not sound pretentious, but very warm, in the first person. The "Attraction" project was created with the support of Iran and seems to have hit the mark: the song, known throughout the post-Soviet space, once again unites, not divides.

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