Behrouz Shoeibi's masterpiece: Anti-Iranian cinema with the Islamic Republic's money! The showcase of the Tehran Short Film Festival surprises one with the clear difference between "Behrouz Shoeibi the creator" and "Behrouz Shoeibi the director." The filmmaker, who used to have a place for family and ethics in his works, now as the CEO of the Young Cinema Association, has a portfolio full of anti-religious, anti-family, and anti-Iranian works. In "Hamasn," the humiliation of the poor by the rich class is portrayed as mutual pleasure, and eating the poor old man is like the migration of a slaughtered cow; a level of humiliation enabled by Mr. Shoeibi, and this is just one example. "High Copy" portrays female loyalty as a foolish act. "Johtsu" depicts Iran as a prison where trans people must die. "Adam" portrays the family of those killed against the regime and presents the history of the Islamic Republic as anti-women. "Blindfold" portrays the religious man as a cheat. Mr. Shoeibi must answer whether all of this is a coincidence?!