Mr. Judge and the formula that revived the dead courtroom genre The first season of "Mr. Judge" in a combination of processing real cases and a minimalist form, turned a genre that had been abandoned on Iranian television for years into one of the most popular and influential drama arenas. The success of this season came not through special effects or flashy locations, but from trust in the story and respect for the audience's intelligence. When the first season of Mr. Kazee appeared on Channel 2 in 1401, few imagined that the series, which based its entire drama on the conversations of a court and legal cases, could become one of the successful experiences of television in recent years. This cautious prediction made sense because the courtroom genre had been marginalized on Iranian television for years and courts were usually present as minor parts rather than the main scene of drama. But Mr. Kazi turned this equation and instead of telling the life in the shadow of a court, he made the court itself the central arena of the narrative. The backbone of this success was the precise understanding of the relationship between reality and presentation; The creators of the series have repeatedly emphasized that Mr. Ghazi is not a documentary, but a drama series whose scripts are written based on reality. This distance from pure documentation and closeness to reality created an atmosphere that is close to reality in terms of analysis and managed to put the audience in a position to feel that they are really watching a real court session, not a fake theater. The first season of Mr. Gazi proved that the court genre is not a dead genre, but a sleeping genre that can be awakened with the right form. More details rate on social networks.

Mr. Judge and the formula that revived the dead courtroom genre The first season of "Mr. Judge" in a combination of processing real cases and a minimalist form, turned a genre that had been abandoned on Iranian television for years into one of the most popular and influential drama arenas. The success of this season came not through special effects or flashy locations, but from trust in the story and respect for the audience's intelligence. When the first season of Mr. Kazee appeared on Channel 2 in 1401, few imagined that the series, which based its entire drama on the conversations of a court and legal cases, could become one of the successful experiences of television in recent years. This cautious prediction made sense because the courtroom genre had been marginalized on Iranian television for years and courts were usually present as minor parts rather than the main scene of drama. But Mr. Kazi turned this equation and instead of telling the life in the shadow of a court, he made the court itself the central arena of the narrative. The backbone of this success was the precise understanding of the relationship between reality and presentation; The creators of the series have repeatedly emphasized that Mr. Ghazi is not a documentary, but a drama series whose scripts are written based on reality. This distance from pure documentation and closeness to reality created an atmosphere that is close to reality in terms of analysis and managed to put the audience in a position to feel that they are really watching a real court session, not a fake theater. The first season of Mr. Gazi proved that the court genre is not a dead genre, but a sleeping genre that can be awakened with the right form. More details rate on social networks.