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A re-reading of the emotional and national legacy of the "Iran" composer: Majed Tazami's works went beyond the realm of the musical text and became part of the listening, emotional memory and cultural identity of the Iranian society; Music that is a narrative of a nation's sufferings and ideals. The audience's enthusiastic reception of enduring works such as "From Ice to Rhine" and "Glass Agency" at the last performance of the 150-member orchestra showed that these works represent the historical experience of several generations. The concept of "national music" in Tazmi's works does not mean the external use of traditional instruments, but the deep connection of the melody with the collective experience, suffering, hopes and shared values ​​of a nation. Read the full text here.

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روزنامه ایران · · Source

🇮🇷 Iran · Map

A re-reading of the emotional and national legacy of the "Iran" composer: Majed Tazami's works went beyond the realm of the musical text and became part of the listening, emotional memory and cultural identity of the Iranian society; Music that is a narrative of a nation's sufferings and ideals. The audience's enthusiastic reception of enduring works such as "From Ice to Rhine" and "Glass Agency" at the last performance of the 150-member orchestra showed that these works represent the historical experience of several generations. The concept of "national music" in Tazmi's works does not mean the external use of traditional instruments, but the deep connection of the melody with the collective experience, suffering, hopes and shared values ​​of a nation. Read the full text here.

A re-reading of the emotional and national legacy of the "Iran" composer: Majed Tazami's works went beyond the realm of the musical text and became part of the listening, emotional memory and cultural identity of the Iranian society; Music that is a narrative of a nation's sufferings and ideals. The audience's enthusiastic reception of enduring works such as "From Ice to Rhine" and "Glass Agency" at the last performance of the 150-member orchestra showed that these works represent the historical experience of several generations. The concept of "national music" in Tazmi's works does not mean the external use of traditional instruments, but the deep connection of the melody with the collective experience, suffering, hopes and shared values ​​of a nation. Read the full text here.

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