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Why is the end of teenage stories bitter? An intimate description of the mistakes of gray people "Iran": The novel "Don't drag me into your stories" by Ghazal Mohammadi, written at the age of 19, is based on a boy's shocking encounter with the real world and the gap between our mental image of our loved ones and their reality. Avoiding the black and white view, this book reminds us that the root of many of our emotional disappointments is creating a flawless image of the people around us and not accepting the gray and fallible nature of humans. Using the technique of the story within the story, double perspective and a concrete and smooth tone, this work became a reflective narrative about spiritual resilience and a realistic understanding of human relationships. Read the full text here.

روزنامه ایران · · Source

🇮🇷 Iran · Map

Why is the end of teenage stories bitter? An intimate description of the mistakes of gray people "Iran": The novel "Don't drag me into your stories" by Ghazal Mohammadi, written at the age of 19, is based on a boy's shocking encounter with the real world and the gap between our mental image of our loved ones and their reality. Avoiding the black and white view, this book reminds us that the root of many of our emotional disappointments is creating a flawless image of the people around us and not accepting the gray and fallible nature of humans. Using the technique of the story within the story, double perspective and a concrete and smooth tone, this work became a reflective narrative about spiritual resilience and a realistic understanding of human relationships. Read the full text here.

Why is the end of teenage stories bitter? An intimate description of the mistakes of gray people "Iran": The novel "Don't drag me into your stories" by Ghazal Mohammadi, written at the age of 19, is based on a boy's shocking encounter with the real world and the gap between our mental image of our loved ones and their reality. Avoiding the black and white view, this book reminds us that the root of many of our emotional disappointments is creating a flawless image of the people around us and not accepting the gray and fallible nature of humans. Using the technique of the story within the story, double perspective and a concrete and smooth tone, this work became a reflective narrative about spiritual resilience and a realistic understanding of human relationships. Read the full text here.

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