Madar al-Mujnain for time travel; A different experience of visualization with limited capacity in Sanglaj At the same time as the arrival of the Fatimid era, two religious shows "Turning Point, Zafar Chahar" were staged in the Sanglaj Theater in the Andisha Hall and "Majalsi Doma Lakik" to build a bridge between ancient theatrical traditions and today's audience with a modern form. In the show "Majlesi Shonba Ba Shonhwani" directed by Muhammad Ahmadi, the audience, being on the Sengalaj stage with an occupancy limited to 50 people, watched from a distance a novel story about the attempt of the son of "Hussain Shamar" to perform Ta'aziah in Dar al-Majneen and his transformation over time. At the same time, the Nineveh Group showed how to reconstruct historical and religious events in a dynamic and effective format with a structural update and an updated version of "Turning Point, Zero Four". Read the full text here.

Madar al-Mujnain for time travel; A different experience of visualization with limited capacity in Sanglaj At the same time as the arrival of the Fatimid era, two religious shows "Turning Point, Zafar Chahar" were staged in the Sanglaj Theater in the Andisha Hall and "Majalsi Doma Lakik" to build a bridge between ancient theatrical traditions and today's audience with a modern form. In the show "Majlesi Shonba Ba Shonhwani" directed by Muhammad Ahmadi, the audience, being on the Sengalaj stage with an occupancy limited to 50 people, watched from a distance a novel story about the attempt of the son of "Hussain Shamar" to perform Ta'aziah in Dar al-Majneen and his transformation over time. At the same time, the Nineveh Group showed how to reconstruct historical and religious events in a dynamic and effective format with a structural update and an updated version of "Turning Point, Zero Four". Read the full text here.