Look what mature boys with film and post-production experience do when they get their hands on Opusyansky (and without Pavlikov).
And it's no more "write a prompt and get a beautiful video." "There is no single framework created by artificial intelligence.
Instead, I connected Opus 5.5 via MCP to Blender and Nuke, used Houdini, and forced Opusianski to write his own physics engine in Python and NumPy to simulate wind, lanterns, and leaves.
Then Claude worked as a real VFX supervisor: he determined the composition, silhouettes, architecture, object movement, lighting and the smallest details of the animation.
More than 580 comments and corrections. And not a single manual intervention in the scene. All control occurred through dialogue with Claude.