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#N Europerator watching the lighthouse. Chapter 1 - "3:17" the author of the book Mykola Storcheus (@kolianchik84) Idea: a mini-series of mysticism in the Black Sea, Ukraine. Rina arrives at Beit Haor where her grandfather served for 30 years. A week ago he was buried, and someone turns on the light anyway - every night at 3:17. I wanted not to cut beautiful balls, but a series with a tie, the rules of peace and a cliff on the question. I play the fisherman. Production 1. Screenplay and Storyboard First, he wrote the entire series (8 scenes, 90 c) - which stands in place, what does and what is said in each show. He wrote "the body, not the senses": not "she's scared", but "pressing her hand, holding her breath". Notes are nano banana. For each hero, a card on a white background: full height of 4 sides + large face. The fisherman is my picture. Separate locations: Lighthouse, Night beam, three faces (Kartner room, lower lighting, lamp room). 12 photos with editing Storyboard testing is the main life hack. Before the video he gave us all the cards + a script and asked us to draw a grid of 8 frames. The errors came out because otherwise I would have found only for money in the video: the imam was not from the lighthouse, but from the fishing net; The fisherman was standing next to the heroin, not at the door behind it; The time was 5:17. The text correction - saved 3 innovations. Video - Vidu Q4 Reference-to-video, 540p, 16:9, 8 scenes of 10-12 seconds. In each scene - only refs of those in the frame (character + location), up to 4 pieces. Prompt: camera cap (ARRI Alexa 35, Kodak Vision3 500T, "NOT CGI, Not Bry", block "who" with real distances, another SHOT 1/2 3 seconds in seconds and a block of sound. Against plastic skin, a separate block: wounds, monkeys, "no beauty filter, no airbrush" - Vidu really keeps the skin alive. Jambs Wido: the heroine in one program stands in front of the door, and in the next "rehearsal" - cut a line on the installation, she came out even sharper. 5. Sound and lips and his hand produces the sound itself (sea, wind, burning doors, pounding) - he left.

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#N Europerator watching the lighthouse. Chapter 1 - "3:17" the author of the book Mykola Storcheus (@kolianchik84) Idea: a mini-series of mysticism in the Black Sea, Ukraine. Rina arrives at Beit Haor where her grandfather served for 30 years. A week ago he was buried, and someone turns on the light anyway - every night at 3:17. I wanted not to cut beautiful balls, but a series with a tie, the rules of peace and a cliff on the question. I play the fisherman. Production 1. Screenplay and Storyboard First, he wrote the entire series (8 scenes, 90 c) - which stands in place, what does and what is said in each show. He wrote "the body, not the senses": not "she's scared", but "pressing her hand, holding her breath". Notes are nano banana. For each hero, a card on a white background: full height of 4 sides + large face. The fisherman is my picture. Separate locations: Lighthouse, Night beam, three faces (Kartner room, lower lighting, lamp room). 12 photos with editing Storyboard testing is the main life hack. Before the video he gave us all the cards + a script and asked us to draw a grid of 8 frames. The errors came out because otherwise I would have found only for money in the video: the imam was not from the lighthouse, but from the fishing net; The fisherman was standing next to the heroin, not at the door behind it; The time was 5:17. The text correction - saved 3 innovations. Video - Vidu Q4 Reference-to-video, 540p, 16:9, 8 scenes of 10-12 seconds. In each scene - only refs of those in the frame (character + location), up to 4 pieces. Prompt: camera cap (ARRI Alexa 35, Kodak Vision3 500T, "NOT CGI, Not Bry", block "who" with real distances, another SHOT 1/2 3 seconds in seconds and a block of sound. Against plastic skin, a separate block: wounds, monkeys, "no beauty filter, no airbrush" - Vidu really keeps the skin alive. Jambs Wido: the heroine in one program stands in front of the door, and in the next "rehearsal" - cut a line on the installation, she came out even sharper. 5. Sound and lips and his hand produces the sound itself (sea, wind, burning doors, pounding) - he left.

#N Europerator watching the lighthouse. Chapter 1 - "3:17" the author of the book Mykola Storcheus (@kolianchik84) Idea: a mini-series of mysticism in the Black Sea, Ukraine. Rina arrives at Beit Haor where her grandfather served for 30 years. A week ago he was buried, and someone turns on the light anyway - every night at 3:17. I wanted not to cut beautiful balls, but a series with a tie, the rules of peace and a cliff on the question. I play the fisherman. Production 1. Screenplay and Storyboard First, he wrote the entire series (8 scenes, 90 c) - which stands in place, what does and what is said in each show. He wrote "the body, not the senses": not "she's scared", but "pressing her hand, holding her breath". Notes are nano banana. For each hero, a card on a white background: full height of 4 sides + large face. The fisherman is my picture. Separate locations: Lighthouse, Night beam, three faces (Kartner room, lower lighting, lamp room). 12 photos with editing Storyboard testing is the main life hack. Before the video he gave us all the cards + a script and asked us to draw a grid of 8 frames. The errors came out because otherwise I would have found only for money in the video: the imam was not from the lighthouse, but from the fishing net; The fisherman was standing next to the heroin, not at the door behind it; The time was 5:17. The text correction - saved 3 innovations. Video - Vidu Q4 Reference-to-video, 540p, 16:9, 8 scenes of 10-12 seconds. In each scene - only refs of those in the frame (character + location), up to 4 pieces. Prompt: camera cap (ARRI Alexa 35, Kodak Vision3 500T, "NOT CGI, Not Bry", block "who" with real distances, another SHOT 1/2 3 seconds in seconds and a block of sound. Against plastic skin, a separate block: wounds, monkeys, "no beauty filter, no airbrush" - Vidu really keeps the skin alive. Jambs Wido: the heroine in one program stands in front of the door, and in the next "rehearsal" - cut a line on the installation, she came out even sharper. 5. Sound and lips and his hand produces the sound itself (sea, wind, burning doors, pounding) - he left.

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