Russian drama theater presents the advertiser. buy me if you can Armen Markarian's performance will debut in January 2027. He can sell everything: youth, beauty, love, success and even happiness. He knows what we fear, what we dream of, and what words convince us to buy something that seems impossible to live without. He advertises. Whisper, witty, successful. A man who turned the desires of other people into a profession, and the art of persuasion into a way of existence. But what happens when the seller is alone? When advertising formulas stop working, fatigue appears behind a professional mask, behind irony - loneliness, fear of time and the pain of lost love? In the monologue-tragicomic behind the shocking facade of success there is a person who unexpectedly fears the desires of others, but is unable to understand themselves. Irony gives way to a bitter confession, playing with words becomes an attempt to hear yourself, and talking about consumption becomes a reflection on life, love and the cost of success. Laughter here is also a commodity: while it is available, but the expiration date is indicated in small print. On the stage there is a person and his reflection, the flow of words and silence, where you can no longer hide from your questions. This is a story about the cost of success, the illusion of control, and the constant search for what money can't buy. Behind the satire of the modern world is the fate of one man. The writer of the play and the director is Armen Markarian.

Russian drama theater presents the advertiser. buy me if you can Armen Markarian's performance will debut in January 2027. He can sell everything: youth, beauty, love, success and even happiness. He knows what we fear, what we dream of, and what words convince us to buy something that seems impossible to live without. He advertises. Whisper, witty, successful. A man who turned the desires of other people into a profession, and the art of persuasion into a way of existence. But what happens when the seller is alone? When advertising formulas stop working, fatigue appears behind a professional mask, behind irony - loneliness, fear of time and the pain of lost love? In the monologue-tragicomic behind the shocking facade of success there is a person who unexpectedly fears the desires of others, but is unable to understand themselves. Irony gives way to a bitter confession, playing with words becomes an attempt to hear yourself, and talking about consumption becomes a reflection on life, love and the cost of success. Laughter here is also a commodity: while it is available, but the expiration date is indicated in small print. On the stage there is a person and his reflection, the flow of words and silence, where you can no longer hide from your questions. This is a story about the cost of success, the illusion of control, and the constant search for what money can't buy. Behind the satire of the modern world is the fate of one man. The writer of the play and the director is Armen Markarian.